inception [updated]
July 19th, 2010
Update: The post here was written the day after viewing the movie. I’ve come through with edits and notes. I hope the edits aren’t too confusing. Because it’s been a week, I’ll even break my own rule and go crazy with spoilers.
I won’t ruin the ending of this film. Granted, I’ll try my ass off, but I’ll fail. That’s how good this is. It’s so good the end is meaningless. [That the top falls or not doesn't matter. His indifference to whether it falls is (hopefully) the whole damn point.]
Let me fail to explain.
First, I’ll put it simply. Christopher Nolan (ignoring temporarily his Batman movies) is our Stanley Kubrick [M. Night Shyamalan]… but better. (I said it. [Comparing him to Kubrick? Really? How drunk was I?]) How, you ask? By writing this crazy his own damn self. [It's the first notable crazy he's written.]
The mind bending awesome of Memento and Prestige are his [nope, both were adaptations]. His. He wrote [adapted] them, directed them and blew your damn mind. Kubrick is legend and may have come close with 2001: A Space Odyssey but he didn’t create insane from nothing. [Except for Kubrick being a legend, this statement is pure nonsense.]
What was I talking about? Oh, right; the movie (and the broader explanation).
This guy Cobb (Leonardo DiCaprio) jumps into [shares] dreams, stealing information for crazy cash. Then he’s hired to give someone an idea. This is impossible for loads of reasons but he’s desperate for reasons I won’t go into [because he wants to get back to the projection of his children].
He’s a former Architect who can’t build because his lady friend is nuts (and so French Hot). To seed this idea, he assembles his crack team of dream ghosts action-movie style: the Forger (Handsome Rob)*, the Chemist (Rham Jas), the Tourist (Iowa Jim)**, the New Architect (Hayley Stark) and (though the title isn’t precisely this in the movie) the Shit (Brendan).
To give the Subject (Jim) the idea, layers of dreams need to be created and time in each is exponentially slower than in the last and… you know what? Let’s just say Nolan is the sort you never want to drink within ten miles of for fear your neurons will faint.
The story is [not very] intense. At a glance it’s a thoughtful action film and with further investigation it’s a statement on our, relationships, inner workings and infinite possibilities. [Let's stick with thoughtful action movie.]
Without doubt, [most of] the special effects are outstanding. Not necessarily the Roland Emmerich ones, but the action sequences and synchronization and the editing are incredible [smart and adequate]. It’s visually stunning.
The actors are strong to great [mouth-continually-agape to strong]; Leo puts on a (it’s boring to keep saying this) stellar show. They carry the depth of the subject matter [there isn't that much depth, actually] with ease and keep you enthralled [entertained].
I doubt you’ll fault me in naming this Nolan’s masterpiece to date. [Because it's the only one you've heard of that isn't an adaptation or Batman movie.]
[So yes, I got caught up in the hype. I liked the movie and still do but that post-coitus glow has faded and I'm man enough to admit when I'm spouting idiot. My favorite review is David Faraci's at Chud. It may give Nolan more credit than he's due but takes interpretation in a more enjoyable direction.]
* Herein named by way of their sweetest roles; do your homework, kids. (Note: By homework I mean watch the movies referenced because they’re good. Don’t count this first one as homework.)
** What, you don’t love inside jokes? (Fine, consider him Ra’s Al Ghul.)





